Four cryo-sleepers wake on a strange vessel in space, the first three are rookie Evagardian military personnel and the last is an admiral - or so it says on his sleeper. He's as surprised about this as the other three are. This is a get-me-out-of-here story paced like a race over hurdles. Problem after problem besets our quartet at breakneck speed. They are not actually in space, but on a planet, their ship on unstable ground, and the crew is dead--in bizarre circumstances. The planet is uninhabited and uninhabitable, but are they alone? Though they don't all trust him the three rookies (skilled but inexperienced) follow the admiral's lead. Throughout the story we get hints as to who this 'admiral' might be. I guessed (about halfway through) what he'd done, if not who he was, and it turns out I was right, but the narrative kept me engrossed to the end. Yes, the 'admiral' is an unreliable narrator deliberately hiding his identity, but I can forgive that for the rest of the book and the fact that it is the first book in a series. I'll be looking for the next. Highly recommended.Aug. 25th, 2016
Four cryo-sleepers wake on a strange vessel in space, the first three are rookie Evagardian military personnel and the last is an admiral - or so it says on his sleeper. He's as surprised about this as the other three are. This is a get-me-out-of-here story paced like a race over hurdles. Problem after problem besets our quartet at breakneck speed. They are not actually in space, but on a planet, their ship on unstable ground, and the crew is dead--in bizarre circumstances. The planet is uninhabited and uninhabitable, but are they alone? Though they don't all trust him the three rookies (skilled but inexperienced) follow the admiral's lead. Throughout the story we get hints as to who this 'admiral' might be. I guessed (about halfway through) what he'd done, if not who he was, and it turns out I was right, but the narrative kept me engrossed to the end. Yes, the 'admiral' is an unreliable narrator deliberately hiding his identity, but I can forgive that for the rest of the book and the fact that it is the first book in a series. I'll be looking for the next. Highly recommended.
I’ve burned through all Jodi Taylor’s back catalogue this year – her Chronicles of St Marys’ books and her historical fiction under the name of Isabella Barclay– but since I mostly read SF and historicals I hadn’t considered reading The Nothing Girl. At first glance it looked like chick-lit, which I’m not fond of, however, I’ve loved all of Ms Taylor’s writing so thought I should give it a try. I’m not disappointed. Having read and thoroughly enjoyed it, I’m not actually sure how to categorise it. Chick-lit crossed with fantasy? Possibly. Mystery – yes, there’s a bit of that, too. Romance? Ditto. Or maybe it’s just mainstream fiction. It all depends on whether you think the giant golden horse that only Jenny can see is real or imaginary. The fact is that Jenny thinks he’s real, so that’s good enough for me.Jenny is an introverted young woman with a dreadful stammer not helped by her aunt and uncle’s overprotectiveness. Her parents died and left her well provided for, but traumatised. She lives quietly in an attic room, fully equipped with bookshelves, computer, and a giant golden horse called Thomas who arrived on the day she tried to commit suicide as a thirteen-year-old. Thomas is still with her – and will remain with her until she doesn’t need him any more.
It’s a complicated family worthy of Jilly Cooper. The daughter of the house, Jenny’s glamorous cousin, has had (or maybe is still having) an abusive on-off relationship with Russell Checkland (currently off) whom Jenny has known since school (where he was one of the few who treated her kindly). Russell, a talented artist, lost his muse and his will to paint when Jenny’s cousin left him. Jenny’s cousin has a new man but doesn’t want anyone else to have Russell – which is a pity because Russell has just asked Jenny to marry him. What? Where did that come from? Well, it’s simple enough. Russell has a fabulous old farmhouse but no money to repair it. Jenny has an inheritance but no life outside of her bedroom. Jenny gets a home, Russell gets to keep his home together. It’s a simple arrangement that’s about to get a whole lot more complicated, especially since Jenny keeps having ‘accidents’. Who’s to blame or is she just very clumsy?
As ever I loved Jodi Taylor's 'voice'. There were definite giggle moments in this book. It's light and entertaining while telling an interesting story of genuine depth.
BTW, I don't think the cover does this book any favours and is probably what originally contributed to me dismissing this book as 'chick lit'. without examining it too closely
Movie of the Week: Pete's Dragon
Aug. 25th, 2016 10:47 pm
It's that time of year again. Most of the new movies are kiddie films. Thankfully Pete's Dragon was better by miles than last week's offering: Suicide Squad. I didn't see the original cartoon version of Pete's Dragon, so no comparisons. This was live action with a CGI dragon featuring Bryce Dallas Howard, Robert Redford, Karl Urban and Wes Bentley in the adult roles and a very cute Oakes Fegley as Pete. You probably know the story. Small child is orphaned by a car accident wonders into the forest and is looked after by a dragon (whom the child names Elliott). Six years later the child is found and the dragon revealed (to a timber cutting crew) whereupon unsympathetic adult (Karl Urban) captures the dragon and sympathetic adults help Pete to release him.
Robert Redford continues to be magnetic on screen despite wrinkles. Oakes Fegley, as Pete was supposed to be ten years old but looked about seven. (His bio doesn't give a definitive age, but he was approximately nine or ten at the time of filming. For a child of that age he has an impressive acting resumee already.
The dragon was a bit... lumpy and it had fur. Was that to make it less scary for kids or with a view to marketing plush toys?
Your kids might well enjoy it. The car crash at the beginning in which Pete was orphaned, was sensitively handled. No blood, no dead bodies and a quick move to 'six years later'.