Oct. 9th, 2016

jacey: (blue eyes)
Shadow and BoneAlina and Mal, Mal and Alina. It's always been just the two of them against the world. Brought up on charity, both refugees from Ravka's seemingly endless war, they end up doing military service, Mal as a tracker, Alina as a cartographer. When their unit has to cross the Shadow Fold, a preternatural darkness filled with flesh-eating monsters, danger strikes and Alina saves Mal by manifesting light. It turns out she has a rare power that just might save Ravka, so without a by-your-leave she's carted off by the darkling to train as a Grisha. That's good, right? Well, yes and no. Her talent is elusive and something is going on that she doesn't understand... (If I told you any more I'd have to shoot you.)

This comes before Six of Crows and Crooked Kingdom, and in a way I wish I hadn't read the other two first because the other two are superb and this is merely good. Having said that good is GOOD, and I've immediately started reading the second book in the trilogy. Alina is an excellent character and the plot is twisty.

The setting is interesting. It’s a secondary world fantasy with heavy Russian overtones. For someone who knows little about Russian culture and history, there’s enough here to give a flavour and to lift it out of generic medievaloid fantasy. The level of technology is interesting. There’s gunpowder and the army has rifles, but there’s not much evidence of an industrial revolution, so no trains or heavy industry (that we see).
jacey: (blue eyes)
miss-peregrines-homeVisually stunning (with a lot of CGI), this is a Tim Burton movie about time loops, strange children and scary monsters. Jake (Asa Butterfield) has grown up on his Grandpa's (Terence Stamp) stories about his life fighting monsters wothout actually giving any of it much credence, until his grandfather is murdered by a monster that only Jake has seen.  He goes in search of the orphanage (on an island off the coast of Wales), and finds the ruin of the Victorian Gothic house, bombed during the Second World War... or was it? Jake finds the time loop and is introduced to Miss Peregrine (Eva Green) and the peculiar children with a variety of talents (not all of them useful). He also discovers that the monsters are real.

I felt as though this was a movie I should love. It's quirky and imaginative but somehow Jake should be the emotional centre of the movie, and he isn't. I'm not sure whether to put it down to the director or to Butterfield himself, but he simply doesn't cut it. There's an excellent turn from Terence Stamp as Grandpa Abe and a brief appearance by Judi Dench (always good value) but the children themselves are a bit underdeveloped, character-wise. It's not a movie that's going to stick in my mind for very long.

It scores bonus points for having Blackpool (and Blackpool Tower) as one of the settings.
jacey: (blue eyes)
Bridget Jones babyBridget is now 43 and once more living the single (and more-or-less celibate) life. She's a successful news producer by day, and a couch potato by night... until she's dragged to a music festival and after promising to shag the first man she meets, does just that. Luckily the shagee is Jack (Patric Dempsey). Just a week or two afterwards she meets old flame Mark (Colin Firth) who is on the verge of getting a divorce from his wife. More shagging ensues.

So, knowing the title of the film, you can see where this is going. Bridget is pregnant, but which one of the two gorgeous men in her life is the daddy and how is she going to explain to each one of them exactly what the situation is. There's a great love triangle vibe with stuffy, uptight Mark and easygoing, freewheeling Jack each vying for paternal recognition. There a hilarious dash (or not) to the hospital when the time comes.

Renee Zelweger is brilliant as Bridget, but Emma Thompson as the obstetrician easily steals every scene she's in. Very enjoyable.

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