jacey: (blue eyes)
[livejournal.com profile] jpsorrow has just posted an intyerview over on the DAW books blog.
Over on the DAW books blog to go with the earlier book discussion...
Interview here: http://dawbooks.livejournal.com/150945.html
and book discussion here http://dawbooks.livejournal.com/150723.html
Many thanks to Joshua Palmatier/Benjamin Tate
jacey: (blue eyes)

25th November 2014
SF Signal's Mind Meld
http://www.sfsignal.com/archives/2014/11/mind-meld-the-best-book-openings/

16th November 2014
Guest Interview on Chuck Wendig's Diabolical Plots
http://www.diabolicalplots.com/?p=12558

Review on Jaine Fenn's Tales from the Garrett.
http://www.jainefenn.com/2014/11/review-empire-dust/

6th November 2014
Chuck Wendig's Terrible Minds blog - Five Things I learned while Writing Empire of Dust
http://terribleminds.com/ramble/2014/11/06/jacey-bedford-five-things-i-learned-writing-empire-of-dust/

6th November 2014
Whatever Makes You Weird, an interview by Nancy Jane Moore at Book View Cafe
http://bookviewcafe.com/blog/2014/11/06/whatever-makes-you-weird-an-interview-with-jacey-bedford/

4th November 2014
Worldbuilding from the Coffee up on Anne Lyle's Blog

http://annelyle.com/blog/2014/11/04/worldbuilding-from-the-coffee-up-a-guest-post-by-jacey-bedford/

31st October
Guest Post on Gaie Sebold's blog
http://gaiesebold.com/?p=467

22nd October 2014
Deborah Walker's Blog
http://deborahwalkersbibliography.blogspot.co.uk/2014/10/empire-of-dust-psi-tech-novel-published.html

21st October 2014
Everyone's a Critic on Ben Jeapes' Blog
(on writers groups in general and Milford in particular)
http://www.benjeapes.com/index.php/2014/10/everyones-a-critic/

20th October 2014
An interview on the Bristol Books Blog courtesy of Pete Sutton.
Some wide-ranging questions that let me talk about my book and my writing process.
http://brsbkblog.blogspot.co.uk/2014/10/interview-with-jacey-bedford.html?spref=tw

17th October 2014
The Parallels Between Singing and Writing on Ruth Booth's Blog.
http://www.ruthbooth.com/2014/10/guest-blog-jacey-bedford-on-the-parallels-between-writing-and-singing/

And don't forget my other blog
http://jaceybedford.wordpress.com/

jacey: (blue eyes)
6th November 2014
Chuck Wendig's Terrible Minds blog - Five Things I learned while Writing Empire of Dust
http://terribleminds.com/ramble/2014/11/06/jacey-bedford-five-things-i-learned-writing-empire-of-dust/

6th November 2014
Whatever Makes You Weird, an interview by Nancy Jane Moore at Book View Cafe
http://bookviewcafe.com/blog/2014/11/06/whatever-makes-you-weird-an-interview-with-jacey-bedford/

4th November 2014
Worldbuilding from the Coffee Up on Anne Lyle's Blog

http://annelyle.com/blog/2014/11/04/worldbuilding-from-the-coffee-up-a-guest-post-by-jacey-bedford/

31st October
Guest Post on Gaie Sebold's blog Interview questions answered. http://gaiesebold.com/?p=467

And a couple of reviews
Review on Jaine Fenn's Tales from the Garrett. http://www.jainefenn.com/2014/11/review-empire-dust/
Review at Publishers Weekly Publishers Weekly http://www.publishersweekly.com/978-0-7564-1016-2
jacey: (blue eyes)
Guest Post on Gaie Sebold's Blog
In which I answer several questions about writing

Deborah Walker's Blog
Trying to stay Cool About the Book

Everyone's a Critic on Ben Jeapes' Blog
(on writers groups in general and Milford in particular)

An interview on the Bristol Books Blog courtesy of Pete Sutton.
Some wide-ranging questions that let me talk about my book and my writing process.

The Parallels Between Singing and Writing on Ruth Booth's Blog.
Ruth is also a singer and a writer, so this seemed like a good excuse to compare the two.

More to come.
jacey: (blue eyes)
In preparation for the publication of Empire of Dust I've been blog-swapping with fellow authors. Three of my guest posts are now up for scrutiny.

Everyone's a Critic on Ben Jeapes' Blog
(on writers groups in general and Milford in particular)

An interview on the Bristol Books Blog courtesy of Pete Sutton.
Some wide-ranging questions that let me talk about my book and my writing process.

The Parallels Between Singing and Writing on Ruth Booth's Blog.
Ruth is also a singer and a writer, so this seemed like a good excuse to compare the two.

More to follow.
jacey: (blue eyes)
Please welcome the lovely and talented Gaie Sebold as my second guest blogger.

Shanghai Sparrow 200 pxHow (Not) To Write A Steampunk Novel

To start with, I didn’t actually really intend to write what ended up as a fantasy Victorian spy adventure, with a trickster heroine, set partly in 19th century Shanghai.  It just sort of happened.

I had one of those conversations, you know the way you do, about this idea that might be quite fun, which I hadn’t really thought through in any way at all, and then someone said how about you send us a proposal?

At which point I made that gulping noise, the one cartoon characters make where a big comedy bump sproings up and down their throat, and said, OK sure no problem.  Then I ran away to find a large glass of wine and hide in it.

Because I’d never done a proposal before.  And the writing sort is probably not quite as scary as getting down on one knee before the love of your life with intent to wed, or at least find out if they wouldn’t throw their arms up in horror at the very idea, but from my point of view it was pretty damn close.  I wasn’t committing myself to a life of togetherness but I was committing myself to trying to write down all the ideas that make up an entire novel.  In a few pages and fewer weeks.

Which meant I had to have them first.  And since what I had at the time of the gulp-making conversation was more a sort of tra-la-la airy sketch, not so much an embryo novel as a single lonely spermatozoa swimming around, looking lost, this was a bit of a challenge.  

I did eventually come up with something that might look like a proper professional proposal through the wrong end of a telescope, if you squinted a lot.  Amazingly, my publishers went for it.

(I haven’t dared look at it since; I have no idea how much the finished novel ended up resembling that trembling and tear-stained mess – and yes I know emails can’t actually be tear-stained, but its very pixels were, I swear, imbued with trauma).

I read a lot about C19th Shanghai and China and the Opium Wars and re-read Mayhew’s London Labour and the London Poor and got quite depressed, because there was a lot of thoroughly ghastly behaviour going on and many people were having a very, very bad time.  And the idea of trying to write about this and turn it into anything other than a wail of nihilistic despair – which I was fairly sure wasn’t what the publisher was hoping for - was a teensy bit daunting. 

But gradually Eveline Duchen, my heroine, started to come into focus among all the grimness.  A bolshie, determined, spiky young woman who’d survived by the skin of her teeth and developed a snarky sense of humour along the way.  Other interesting characters turned up.  I got to spend a lot of time looking up various outrageous Victorian phraseology and weird inventions and make up a few of my own, and things happened and there was stuff and somewhere in there among the rampant panic and utter conviction that I had no idea what I was doing I started having fun .

And somehow, eventually, I had a book.

And then I fell over for a few days, and then the editing notes came back, and then there was a cover, and there was a launch, and I was signing copies of a steampunk spy adventure story that I seemed to have written, still not entirely sure how all this had happened.
But it’s there, and it has a beautiful cover that I adore so much I’d marry it if it would have me.  And so far people mostly seem to like it, which is nice.

What I’m trying to say, I guess, is that it’s a funny business, this writing lark, and if you can find a way of doing it that involves less panic and slightly more certainty about what you’re doing, then you probably should, but sometimes things work out all right even when you are in a total flap about it all.

Besides, since then I’ve just about learned how to write a proper proposal.  Sort of.  Well, I had to, since they appear to be a necessary part of being a real grown-up author.   Which I suppose I am, now.  And I’m still not entirely sure how that happened, either…

Shanghai Sparrow

Eveline Duchen is a thief and con-artist, surviving day by day on the streets of London, where the glittering spires of progress rise on the straining backs of the poor and disenfranchised. Where the Folk, the otherworldly children of fairy tales and legends, have all but withdrawn from the smoke of the furnaces and the clamour of iron.

Caught in an act of deception by the implacable Mr Holmforth, Evvie is offered a stark choice: transportation to the colonies, or an education – and utter commitment to Her Majesty’s Service – at Miss Cairngrim’s harsh school for female spies.

But on the decadent streets of Shanghai, where the corruption of the Empire is laid bare, Holmforth is about to make a devil’s bargain, and Eveline’s choices could change the future of two worlds...

GaieSebold200pxAbout Gaie Sebold
Gaie Sebold’s debut novel introduced brothel-owning ex-avatar of sex and war, Babylon Steel (Solaris, 2012); the sequel, Dangerous Gifts, came out in 2013. Shanghai Sparrow, a steampunk fantasy, came out from Solaris in May 2014. She has published short stories and poetry, and had jobs involving archaeology, actors, astronomers, architecture, and art: most of them have also involved proofreading. She now writes, runs writing workshops, grows vegetables, procrastinates to professional standard and occasionally runs around in woods hitting people with latex weapons.
Find out more at http://gaiesebold.com/ 

Follow the latest scandal and tidbits from the world of Babylon Steel at http://scalentine.gaiesebold.com/
jacey: (blue eyes)
Please welcome Ben Jeapes as the first in a series of guest blogs by science fiction and fantasy authors.

Infinite diversity in infinite combinations
By Ben Jeapes


phoenicia1I read Lois McMaster Bujold’s Barrayar series at various points over the 90s and 00s, out of order and out of sequence, which is easy to do as they weren’t even published in order of internal chronology to start with. Last year I read what is probably the last to be published, Captain Vorpatril’s Alliance, which is a nice coda to the series in general, tying up the story of the hapless, much loved spear carrier Ivan Vorpatril. Much of that story is told from the point of view of a complete stranger to Barrayar, and the narrative drops in shovelfuls of references to events throughout the earlier books. So much so that I decided there was nothing for it but to re-read the whole series, in internal order, starting with Shards of Honor and bracing myself months in advance for the final 500 words of Cryoburn, which it is scientifically impossible to read without welling up. (But that’s another matter.)

And as I read, I thought … hmm.

So, that’s where I got it from.

Okay.

Barrayar was settled by human colonists who were stranded on a hostile, barely terraformed planet when the sole wormhole linking them to the rest of the galaxy closed. That’s all pre-history to the series. Bujold gives us few details but it is clear that considerable social and ethnic upheaval followed until finally the planet was united under one Emperor, which was far from perfect but it stopped people killing each other so who’s complaining? But the Barrayarans clearly kept their memories alive and always knew whence they had come; hence, following their rediscovery by galactic civilisation six centuries later, within one man’s lifetime they go quite plausibly from a semi-feudal Hapsburgesque horse-powered empire to an empire of three planets, and a significant galactic power.

Which is totally unlike the hostile, barely terraformed planet La Nueva Temporada in my novel Phoenicia’s Worlds, which is settled by human colonists who are stranded when the sole wormhole linking them to the rest of the galaxy - well, Earth, there aren’t any other colonies - closes, and considerable social and ethnic upheaval follows.

And as if that wasn’t enough, my journey through the series has just brought me to the end of Komarr. The plot of which kicks off with our hero’s arrival on the titular world to investigate a possible act of sabotage that could stymie the terraforming process and render Komarr forever uninhabitable. Quite unlike the possible act of sabotage that stymies Nueva’s terraforming process and threatens to render the planet forever uninhabitable (to the considerable inconvenience of the 60 million humans inhabiting it at the time). I know for a fact that I last read Komarr in the late 90s, around the time I first began having the thoughts that would manifest themselves one day as Phoenicia’s Worlds ...

I had genuinely, honestly forgotten that. I remembered how I was influenced by thoughts of the SOE and Augusto Pinochet; I remembered the broad strokes that helped me paint the picture; but I had forgotten Barrayar.

But, hey, so what? To any eyes but mine, that is where the similarity ends. Barrayar isn’t the first reverted human colony in science fiction either, and my Nuevans have one lifeline the Barrayarans didn’t - a slower than light starship, the eponymous Phoenicia, which can carry our hero on the 40-year journey back to Earth whence the wormhole can be re-opened. All the Nuevans have to do is keep alive for 40 years. Simple, surely? And not even the most jaded eye could see the sections of the novel that are set on La Nueva Temporada as speculative fanfic set on Barrayar in the early years of the Time of Isolation.

And even if it were, again I say - cry, even - pish and tush! So what?

In a pleasantly perceptive review - by which I mean, they liked it, and they Got It, and I agree with most of their points - Locus observed that Phoenicia’s Worlds "draws on a wide range of SF conventions, tropes, inventions and machineries ... There are space elevators, orbiting pseudo-suns, matter-annihilation starship drives, wormholes that depend on quantum-entangled particle pairs, and so on. But the book seems more interested in those conventions as story enables than as Nifty Ideas in their own right - they are just there, Heinlein-style, as part of the environment the way they might appear to a character".

Got it! They are indeed just there, and they have been since I was yay high. These are the building blocks of SF that I grew up with. These are our common heritage and we can build them up in any way we like. That is how it should be. I was also amused by the reviewer’s advice to readers, in describing the Nuevan set up, to “think of John Barnes’ Thousand Cultures stories”. Of which I’ve never heard; if anything my attitude towards future human cultures is informed by Cordwainer Smith’s Rediscovery of Man - a belief that we’re all heading towards some kind of homogeneity so ghastly that we will start to invent, or reinvent from the past, exciting cultural differences to break the monotony. But all that means in this case is that I repurposed someone else’s wheel.

Barrayar itself grew out of Bujold’s early Trek fanfic. And I’ll let you into a little secret. Jacey’s novel, when it comes out - and I’m hugely looking forward to it - May Contain Spaceships. She too will have taken the building blocks available to us all, and made something new and unexpected and never seen before out of them. I can’t wait.

Infinite diversity in infinite combinations, as the man said. It’s the only way to go.


Ben Jeapes 200About Ben Jeapes
An overdose of TV science fiction as a child doomed Ben Jeapes to life as a science fiction author. He took up writing in the mistaken belief that it would be quite easy (it isn’t) and save him from having to get a real job (it didn’t). Hence, as well as being the author of several novels and short stories, he is also an experienced journal editor, book publisher and technical writer. His novels to date are His Majesty’s Starship, The Xenocide Mission, Time’s Chariot, The New World Order and Phoenicia’s Worlds. His short story collection Jeapes Japes is available form Wizard’s Tower Press.

His ambition is to live to be 101 and 7 months, so as to reach the 1000th anniversary of the Battle of Hastings and the arrival – as family lore has it – of the man responsible for his surname in the British Isles. He is English, and is as quietly proud of the fact as you would expect of the descendant of a Danish mercenary who fought for a bunch of Norsemen living in northern France.
He lives in Abingdon-on-Thames and his homepage is at www.benjeapes.com.
jacey: (blue eyes)
My guest post about Milford past and present (with photos) is now up on the Tor.co.uk blog
http://torbooks.co.uk/2013/07/02/the-milford-writers-conference-past-and-future/
Please visit.
jacey: (Default)
Today I'm a guest on Mary Victoria's blog in her 'Place as Person' series.
http://maryvictoria.net/?p=3364
jacey: (Default)
Today I'm a guest on Mary Victoria's blog in her 'Place as Person' series.
http://maryvictoria.net/?p=3364

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