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Audiobook read by Steven Crossley

There are Four Londons: Grey, our own, where George III rules over a land almost devoid of magic; Red where magic is commonplace; White where danger lurks and rulers claw their way to the top with cruel magic; Black, of which the least said, the better. Kell's home city is Red London, but he is one of the rare magicians who can travel between realities. Officially he's the king's envoy, unofficially he's a smuggler of dangerously illicit goods. His smuggling catches up with him when he's set up to smuggle a magical stone across the border between Londons. It immediately puts him in danger and in Grey London he meets Delilah Bard, pickpocket and small-time criminal with a thirst for adventure. First she robs him, then she saves him, and he saves her. They end up working together to get the dangerous stone safely back to Black London where it can do no harm to the other realms, but there are others chasing the stone, and their magics might be stronger than Kell's. This is tightly written and engrossing. I thoroughly enjoyed both the story and Steven Crossley's excellent narration.

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Audiobook read by Julian Rhind-Tutt
Sixteen year old Olivia, bereft of speech, grows up in Merilance School for Girls, a dismal place where she is an outsider. She has only her mother's journal as a reminder of what her life should have been. There's one warning in it. Don't go near Gallant. Then a letter arrives from her (unknown) uncle, inviting her to come home to family she didn't know she had. Home is a house called Gallant, a strange place with a secret. When she gets there, her uncle is already dead and her cousin, Matthew, doesn't want her there, though the housekeeper, Hannah, and Edgar, general factotum, are welcoming. There's a wall in the garden with a gate which leads to a dangerous shadow version of Gallant. This is a fantasy which owes a lot to the horror genre. I found it fascinating. The audiobook is read very well by Julian Rhind-Tutt - though why on earth does he pronounce drawing as drawring.
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It's three hundred years ago in a small French village, Addie is doomed to marry a widower with children – a replacement for his recently deceased wife. Desperate to avoid her fate she calls upon the gods for help, but you should never call upon a god when it's dark. Instead of a benevolent daylight god, Addie gets the Dark himself, and does a deal. He can have her soul when she's finished with it in return for life… a long life… even immortality… until she decides it's time to surrender. It's a blessing, but it's also a curse. Throughout her long life Addie will not be able to make any mark upon the world, and everyone will forget her the instant she's out of their sight. It's a strange life. She can't make friends, have her own home, hold down a job, or take a lover for more than one night without starting afresh every morning. She learns to navigate the world invisibly, her three hundred years punctuated by visits from Dark to see if she's ready to surrender. And then, in modern New York, she meets Henry, the only one who doesn't forget her.

We see Addie's history as well as her trials in the present day. She flits from situation to situation, the only one she can relate to is Dark – or Luc as she comes to call him – until suddenly she meets Henry.

This is a book about the imbalance of power. Addie and Dark (whom she calls Luc) are connected is a way she can't begin to comprehend. She hates him, but she also comes to rely on him because he's the only one who truly knows her. It's a kind of elongated Stockholm Syndrome which happens over a period of centuries. I was intrigued by this book and I kept on reading, though there were times when I could have done with it moving forward at a smarter pace. It's had a lot of good reviews because it's different, but it's by no means perfect. The style is semi-poetic at times. It's definitely at the literary end of the fantasy genre.

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